TCW Reviews

TCWReviews Bids Thee Farewell!

noreply@blogger.com (Clifford Kiyabu) — Wed, 18 Jan 2012 10:19:00 +0000

Life is dictated through the many little moments we encounter in our journeys, each on its own is small and not particularly significant. But if you were to add each and every one of those tiny little insignificant moments up together you’ll discover just how greatly important they measure up in size. They say in life all things no matter how big or small must come to an end at some point. When I starting critiquing films in the summer of 2006 (under the persona “The Comic Whore” on the then popular social networking website MySpace) I had no direction in sight as to where I wanted to go with being a critic.

To be honest, the notion to call oneself a film “critic” wasn’t even on the table for discussion as I looked up to such a title reserved only for those of prestige and of a higher degree of education than myself. You wouldn’t call just anyone a scholar right? For me, such a title was reserved for intellectuals such as Roger Ebert or Gene Siskel. Such brilliant minds in the cinematic commentary field, they critique with such precision and accuracy that they laid down their judgment without hesitation and knew how to back it up, and I was no Siskel or Ebert, quite far from it to tell you the truth. It wasn’t until January of 2008 when part of me felt compelled to take the next big step regardless if I was prepared or not. It was time to grow, time to get moving on as both a writer and an individual. This of course led me to a terrifying, yet exhilarating gamble which you all know today as TCWReviews.

The principle idea behind the formation of this blog was to create a safe haven where the voice of the average Joe could earn a sense of respect among his peers, and to be free of the boundaries set before him, where films were not only watched but also critiqued by the very same diehard moviegoers who shared a common love for film, that equally matched that of the reader whom dropped by on occasion. So as things began to progress the mold began to take form, I also began to take a more serious tone with my writing and dropped the persona and repurposed the initials with more meaning. But all too soon did I realize that I had bitten much more than I could possibly chew, and so with that being said I began a vast hunt to locate folks who had great potential and talent waiting to seep out of them. And with great luck on my part I found them, these talented individuals who came to my aid when I needed them most and helped translate my dream into a reality. For their help, I am forever grateful.

This actually both saddens me and fills me with excitement to say, but this will be TCWReviews’ last official post from me the editor in chief, including the last of any new content on TCWReviews by our talented writers. We have moved to a webhosted location at: criticsword.com and would like to invite you to come join us!

As a group, we’ve seen great triumphs and successes over the years, but unfortunately the world does not operate on a one way street and to that end it wasn’t all good times either, along with our successes also came setbacks, controversies and even some failures; and admittedly even a shear moment of weakness where a poorly made decision made on my part nearly cost me an irreplaceable asset to the team… Till this day I still carry a great weight of regret on my shoulder for those actions. Over the years we’ve welcomed in new talents as well as seen some go. But one thing is certain; TCWReviews has been there through it all, the good times and the bad; we’ve endured quite a lot together as a team and will continue to do so as one in the next chapter of our adventure. And with that note to end on I would like to say; looking back on everything, I would not change a single moment, I would do it all over again if given that chance, because it was those tiny little moments that occurred here and there that led us to this very moment in time, because without the bitter the sweet would never taste so sweet, and when you add them all up together they formulate something truly magical.

So to answer the question I posed onto you, the reader, in the beginning; the answer is yes, all good things do in fact come to an end, but that also doesn’t mean it’s dead and gone forever, while TCWReviews is ending as a blog, it lives on as The Critic’s Word, evolved like a caterpillar turning into a beautiful butterfly. Now, come joins us in our new location and watch us sore to great new heights!

Sincerely
The Editor in Chief
Clifford Kiyabu

Words Like Knives a New Psychological Horror Announced!

noreply@blogger.com (Clifford Kiyabu) — Mon, 02 Jan 2012 05:28:00 +0000

The most dreadful thing about a rumor is that it’s like a feather in the wind; once it gets momentum there’s no telling where or how far it will go, but the worst part about the existence of a rumor about you is the long term repercussions that comes with the territory. The more time passes by, the more the rumor becomes fact, and once that happens, it becomes truth. Words Like Knives is an up and coming psychological horror written, produced and starring Kelsey Zukowski (What They Say and Echo Lake) the WLK is a compelling short that deals with real world issues such as rumors and how dangerous they can be to someone’s life, and how far it can spiral a person down to the edge of sanity.

Synopsis: Emma has a loving family, caring boyfriend, and loyal best friend. One rumor might rip this all away from her though. She fights to hold on to her old life as one mean-spirited rumor becomes so real she can’t find the light through the encompassing darkness. Emma tries to run from it, but it becomes so real and takes on a life of its own. She finds herself powerless to it and unable to distinguish rumor from reality. What if she can’t escape it and hold on to her dwindling sanity?

Words Like Knives is a short dark drama written and starring Kelsey Zukowski and directed by Travis Legge. It also features Jeff Scaduto, Valerie Meachum, Myke Wilson, Melissa Revels, and Aley Kreinz. Shooting is scheduled for April 2012 in Rockford, IL.

Legge and Zukowski first worked together in March of 2011 on a Grindhouse trailer entitled, Monster Mash, which also starred Revels and Kitsie Duncan. Legge was a producer on the dark short, What They Say, which Zukowski wrote and acted in. The film was nominated for Best Short at The Chicago Horror Film Festival in September of 2011.

Legge has worked with the entire primary cast before, being well aware of their abilities and how they work best. Valerie Meachum appeared in Legge’s twisted Christmas short, Holiday Carvings, as well as Legge’s first feature film, Raymond Did It. Myke Wilson directed one of Travis’ scripts, Event Invitation, which wrapped filming in October of 2011. Legge worked with Melissa Revels both in Monster Mash and Windershins along with a number of projects they have in the works.

“Words Like Knives deals with very disturbing material, but that’s part of the point. I like tackling uncomfortable material. I find it far more interesting. It’s a delicate balance between seeming exploitative and meaningfully bringing out the darker side of humanity. I’m thrilled with the team that has signed on for the project. Everyone involved really believes in what the film is trying to accomplish and will be a part in bringing this disquieting vision to life"

Said Zukowski while discussion the upcoming project.

Although, it tackles very taboo material it also deals with the universal themes of a rumor spinning out of control and how damaging idle gossip can be. It simply takes this to a more severe level and examines the possibility of the horrors that can be locked deep inside any one of us when pushed far enough.

Words Like Knives Teaser Trailer

You can show your support to Words Like Knives by going to their official IndieGoGo Page and show your support by donating to the project or by helping spread the word.

To learn more about this developing project and stay up to date visit the official Words Like Knives Facebook Page and click “Like.”

Also stay up to date on twitter by following the official Words Like Knives Twitter Page.

Side Tidbit: Words Like Knives (2012) will be the second film consecutively that Kelsey has written and starred in with a three word title, the first being What They Say (2011).

Looking Back On 2011 [Written By Clifford Kiyabu]

noreply@blogger.com (Clifford Kiyabu) — Sat, 31 Dec 2011 07:09:00 +0000

I know many of you were hoping to see the annual “Best Of” top ten list this month, but unfortunately this will not be the case this time around; TCWReviews has cancelled this year’s top ten list. While I would like to say there was a definitive reason or excuse behind the decision to cancel this year’s top ten list… truth be told there isn’t, just a string of bad luck and multiple events that transpired (Some of which you will hear about in due time). And though most of you were looking forward to it, not everything goes as planned. Heck, if wishes were horses, we'd all be eatin' steak (props to Adam Baldwin).

Now with that being said, I figured that instead of a top ten list we’d do something unprecedented for TCWReviews. I would like to reflect on the year’s pass events and what they meant to the world, and also to me. Looking back at 2011, it sure was an eventful year filled with some of the most historic moments the world has seen in the last 10 years. From unspeakable devastations to surprising moments that had us later questioning our own moral fabric that defines who we are. For personal reasons regarding the subjects I mention, I will try to maintain a nonbiased opinion.

From earthshattering earthquakes and fractured nuclear power plants to a devastating tsunami, the nation of Japan has seen a great deal of disastrous events sent her way in 2011. That left countless thousands dead and millions without a home or job to go back to. The whole world stood in shock over this heart wrenching event. I personally hold a great respect now more than ever for the Japanese people for their honor, strength, courage and unity. They mourned the loss of loved ones and the life they once had, but was still proud enough to stand back up on their two feet, dust themselves off and begin the unthinkable; rebuilding what was once lost to the devastation of mother nature, for this they shall forever have my undying respect.

2011 was a year of revolution, from the streets of Cairo, Egypt to the battlefields of Libya. Change was certainly in the air for people in the Mideast, and no longer were they going to stand quietly by and do nothing. They rose up and toppled tyranny where it stood and in some cases, the people won the change they so desperately yearned for and earned their freedoms. Regimes as old as 30 and 40 years collapsed within the wake of revolution this year, and also led to the death of Libyan dictator Muammar Gaddafi. All that remains unseen is with destiny at the people’s doorsteps; will they be able to hold on to that which they fought and died for?

2011 was also the year of the protester. With our global economy in the gutter, job availability becoming more and more scarce and the security of one’s livelihood threatened each and every day, people all over the globe has risen up in protest to the way those in power are doing business. From its start in Zuccotti Park in New York, it expanded to the streets of France, Spain, and even across vast regions like Greece, Italy and Germany then back to the states in which it made its way across to places like downtown Chicago and even the island state of Hawaii. The protests grew in size and its voice was made much loader. No matter what your beliefs are or on what side you stand on the political spectrum, you cannot deny that the people’s voice was heard this year, and though change has not come to those standing in protest, they have shown their resilience by hanging in there for the long hall. I personally don’t agree with most of their message but I respect their dire need to stand up for what they believe in to whatever end.

2011 marked the 10 year anniversary to one of the most horrific terror attacks in modern US history which easily became ground zero for the world we live in today. But to a great many surprise, it was also the year when those responsible for one of the greatest attacks of our time finally met their ultimate fate, and for a moment the world cheered in celebration and for a split second the world around us felt a little safer. But with the death of Osama Bin Laden, reality set in and many began to wonder, and contemplate if the end justified the means? Did we receive the justice we were promised or were we forever robbed of that luxury? Either way, I personally hope those affected by the tragedy that occurred 10 years ago can finally find some piece of mind. And I hope those forever lost to us from the event can finally rest in peace.

2011 also saw the passing of North Korean leader Kim Jong-Il and the rise to power of his youngest son Kim Jong-Un. I personally knew his demise wouldn’t be too far off, but his sudden death just before the holidays was indeed a shocker and has left me wondering where the North will go from here in terms as a nation. Despite how you feel about Kim Jong-Il you cannot deny that watching Team America: World Police (2004) will never be the same again. LOL!

But it wasn’t all bad memories, as 2011 also saw the wedding event of our generation, the royal wedding of Prince William to his beloved bride, Kate Middleton. Not since the wedding of Charles and Princess Diana have we seen the world so fascinated by the union of two people. This event was seen by hundreds of millions all over the world, it also stood as a defining moment for the British monarch as it secured the future of their line of succession. And what does America have to show for? The 72 day marriage of Lady Kim Kardashian to Duke Chris Humphries, that’s what. Yeah America, that’s our f****** monarch right there.

Looking back at 2011, it was undoubtedly one for the books; the things mentioned here is merely the tip of the iceberg of events that transpired over 2011. And if this year has taught me anything, it’s that we must keep moving forward in life, even when life throws a few wrenches into our gears, we mustn’t falter or step back but rather keep our heads up high and keep moving forward in life. As the year comes to a close, we open the doorway to the year, 2012. What I hope for the New Year to bring is a more prosperous year for everyone, but most importantly a more prosperous New Year for everyone in The Critic’s Word’ family. Here’s to a new year of new beginnings and happy endings! Okay, maybe I added the happy endings for a little lol moment.

Sincerely
The Editor in Chief
Clifford Kiyabu.

Casting Call for New Indie Horror "The Hazed"

noreply@blogger.com (Clifford Kiyabu) — Fri, 16 Dec 2011 02:20:00 +0000

One of the worst things about joining a fraternity or sorority is the hazing that comes with the territory of pledging. Yeah it’s commonly known that hazing is highly unethical then alone illegal in today’s age, but just because something is deemed wrong doesn’t mean it stopped. But what if some took hazing to a whole new level of humiliation? What if some elevated it to a whole new level of horrors? From the creators of Echo Lake and Sick Flick Productions comes “The Hazed” a psychological thrillerthat explores the unforgiving and vindictive nature of sorority life. Once you’re in you’re in for life, and the only way to leave this sorority is through death!

The Hazed is set to begin filmming summer 2012 in the Chicago area. The film is written and produced and will also star Jonathan Moody and Kelsey Zukowski. The Hazed will also be Kelsey Zukowski’s directorial debut! Currently they doing a full casting call for both male and female actors and of various age brackets that range from age groups of 20’s, 30’s and 40’s. scroll down to read the synopsis and to get a full detail of the roles up for casting. And when you’re done be sure to drop by the official Hazed Facebook Page and click “Like” to keep up to date on all things regarding the project.

Synopsis:When Kate tries to pledge a sorority, she learns that a mistake from years ago is still haunting her. The sorority sisters are completely unforgiving, deciding to have their fun with Kate by torturing her and the other girls to no ends. Kate is determined not to let her win. She has her friends, Tyler and Hailey by her side to help her stay strong. The deeper Kate gets in though the more she realizes that these are not your typical hazing pranks. There is something much darker that lies within these girls, setting up a brutal cycle of jealousy, revenge, and a very twisted perception of reality.

The Hazed Character Breakdown

Kate: Female (18-25). Independent, determined, and spunky. Kate has always been an outsider, but isn’t going to let that get in the way of what she wants. She made a mistake years ago that Melissa isn’t willing to let her forget. Kate refuses to be a weak person though and is ready to take everything she throws her way. Role requires nudity, limited or implied is negotiable.

Melissa: Female (18-25). The head sorority sister. She loves being in charge and is used to everything going her way, blaming her problems on others when they do arise. She’s unforgiving and has a very dark nature, far beyond the bitchy façade that lies on the outside. Role requires nudity, limited or implied is negotiable.

Courtney: Female (18-25). One of Melissa’s best friend’s, runs the sorority house under her. She sticks by Melissa no matter how merciless the hazing becomes.

Kelly: Female (18-25). Melissa and Courtney’s other best friend. She is loyal to her sisters and is determined to get vengeance on Kate for Melissa’s sake.

Jenna: Female (18-25). The only reasonable sorority sister. She isn’t out to humiliate and torment the pledges and isn’t interested in getting revenge on Kate. She goes along with it to an extent, but she wants to just get through this year more than anything. She’s far more concerned with school and her long distance boyfriend who she hopes to be with when she goes to graduate school next year.

Brittany: Female (18-25). As she gets deeper in to the sorority and sees the consequence of Melissa’s jealousy her enthusiasm for the sorority quickly falls. She has a lot to deal with, but refuses to let Melissa and the other sisters run all over her. Limited clothing is required.

Lexy: Female (18-25). Almost connected at the hip to Anna. Both of the girls put all of their energy and hopes in to getting in to the sorority. They have more shallow reasons than the other girls. No matter how twisted things get the price is never too high to get what they want. Limited clothing is required.

Anna: Female (18-25). Lexy’s best friend. It quickly becomes them against the other girls. They intend to do whatever they can to get in to the sorority even when things turn morbid. It’s shocking to them at first, but they put their better judgment aside when their own desires blind them. Limited clothing is required.

Brad: Male (18-25). Head of one of the school’s fraternity’s. He treats woman horribly, especially his girlfriend, Melissa. He has been cheating on her for years and really has no qualms or guilt about it. He comes from a wealthy family in the same social circle as Melissa’s; part of the reason their parents want them to be together. Nudity is required.

Chase: Male (18-25). Sexist and objectifies woman. He’s Brad’s best friend and one of the brothers, but cannot stand Melissa. He’s a good friend to him regardless. Chase is one of the only people to really reject Melissa and show his interest elsewhere.

Chris: Male (18-25). School football star and one of Chase and Brad’s brothers. He’s crude and violent towards others.

Jennifer: Female (22-35) Jack’s wife. She loves her husband, but is going through a very hard time in her life. She hasn’t really been happy in a long time and acts on this unhappiness. She desperately wants to put that all behind them and learn to be happy with Jack again.

Jack: Male (25-40) Jennifer’s husband. She’s broken his heart and he can never be the same again. We begin to see him breaking before us, unable to hold on any longer.

Bryan: Male (20-30) Jenna’s long distance boyfriend. He is very caring and sincere, doing everything he can to try to be there for her. He tries to keep her rational and focused amongst all of the mayhem that ensues in the house.

Dr. Lucas: Male or Female (Min. age 25, but could preferably middle aged). The psychiatrist who tries to piece everything together in the aftermath. (S)he is desperate to reach his/her patient so they can accept what they’ve done and have hope for recovery so nothing like this ever happens again.

Lauren: Female (20-30). Kate’s Resident Advisor. Once she realizes Kate is going through something serious she steps in.

Delivery Man: Male. (Min. age 20, but preferably middle aged) Once he’s in the house he lets his curiosity and imagination get the best of him. He never would have expected what lies within this house.

Waitress: (Min. 18, but can be any age). Waitress at a steak/seafood restaurant that serves Hailey and Tyler.

Please email the character or characters you are interested in auditioning for to kels_z3@sbcglobal.net. We will be accepting video auditions for desired roles. Filming is set for summer 2012.

Christopher Meloni Joins Cast of True Blood!

noreply@blogger.com (Clifford Kiyabu) — Fri, 16 Dec 2011 02:08:00 +0000

It’s been an awful long while since we’ve heard any news regarding HBO’s True Blood am I right? Well fear not Fangbangers and Trubies because I’ve got some True Blood news coming at ya! A few weeks back rumors hit the web that Law & Order star Christopher Meloni was set to join the cast of True Blood for its 5^thseason.

Well according to TV Line, an a deal has been made. And a few details were given away about Meloni's character, which was described as being a "powerful vampire."

According to the HBO series creator Alan Ball, Meloni will play an “ancient, powerful vampire who holds the fate of Bill and Eric in his hands.” Though there’s still not a lot of details regarding his character on the show or what exact plot he’ll play in the 5^th season, one can assume he’ll play the part of a possible new big bad baddy in the series aside from the return of American Horror Story star Denis O'Hare in the role of Russell Edgington.

No official word as of yet when exactly the next season will begin but also joining the cast next season will be Scott Foley, Lucy Griffiths, Dale Dickey, Louis Herthum and Kelly Overton.

Side Tidbit: So how many seasons do you suspect the show will continue to go on for?

Casting Call for “TRAPPED” A New Kid Friendly Horror By Fathead Films!

noreply@blogger.com (Clifford Kiyabu) — Mon, 05 Dec 2011 00:32:00 +0000

These days the horror genre is jacked full of films that take us to the extreme with testing the waters on what’s considered “Acceptable” and what’s seen as downright despicable. But people now days have easily become desensitized to these facts when we’re introduced to such torture porn films like “The Human Centipede” and “Saw” on a regular bases, we forget that horror isn’t about how far one can go to gross their audience or leaving them beyond disturbed.

Sometimes it’s the little stories on a softer scale that can prove to be equally entertaining and a little terrifying. One of the best examples of soft-core horror that proved to be fun for all ages while still maintain a “scare factor” for viewers was none other than the mid 90’s with such shows like “Goosebumps” and “Are You Afraid of The Dark” just to name a few, these type of shows produced material that was enjoyed by viewers of all ages while not having to succumb to picking either the more graphic edgier rout or yielding to the overly demeaning rout with a high cheese factor. But I digress; it seems that a sense of this magnitude will be making its way to the indie screen with the the production company Fathead Films has announcing plans to film a project titled “Trapped.” A short film that is said to be a “Kid Friendly” horror, the project is slated to begin filming sometime in early 2012 in Illinois.

Trapped is being produced and directed by Keith Romine (Acceptance 2010) and written by The Critic’s Word very own Kelsey Zukowski (What They Say.) and is currently casting young actors between the ages of 8 to 18 all December. Read on below for more details regarding the project and how you can help out:

Fathead Films is proud to announce the filming of short film “Trapped” to be filmed in Belvidere/Rockford area early 2012.

Trapped:

Trapped is a scary but kid friendly short film currently in pre-production and slated to begin principal photography in the Belvidere, IL area early 2012. The film Produced/Directed by Keith Romine of Fathead Films, will primarily feature local Northern Illinois talent ages 8 to 18... And of course some adults to fill the roles of meddling parents, troublesome siblings and maybe even a villain or two.

The Concept:

Keith Romine began toying with the concept that has evolved into Trapped in late 2010. Keith's purpose was to bring a 'scary' but kid friendly film to his acting students and other young actors in the Northern Illinois region. Inspired by his young acting classes in the Belvidere and Rockford IL areas Keith commissioned Kelsey Zukowski (What They Say) of Chicago to write a short screenplay stating he wanted a scary movie that (unlike most of his work) his acting students could audition to be in and actually watch once finished!

The Team:

Kelsey exceeded expectations and after nearly a year of planning Trapped is nearly ready to begin production. Keith has teamed with Berdella Endress (That's My Girl) to Co-Produce and has also brought on Stuart Wahlin (Hand of Glory) as Director of Photography. Keith hopes to see many of his current and former students auditioning but notes that auditions will not be limited to Fathead Films students and to avoid bias Keith will rely heavily on the rest of his production team to assist in casting decisions. Auditions will be held early December in the Belvidere and Rockford, IL area.

How You Can Help:

Please help us to spread the word about our fundraising efforts! (”Trapped” Indiegogo Page.) Share with friends and family via Facebook, Twitter, MySpace, email and word of mouth. All of the funds raised will directly help bring this film to life covering a wide variety of expenses from providing on-set snacks and beverages, equipment, locations, props, extensive makeup and special effects in production to editing and effects in post-production and full festival run to follow. Also follow us on Facebook for up to date casting and all things Trapped.

Other Ways You Can Help:

Please help us to spread the word! Share with friends and family via Facebook, twitter, MySpace, email and word of mouth!

Side Tidbit: on a more personal note, aside from marking yet another big milestone for Ms. Zukowski as a writer, Trapped will also include The Critic’s Word new staffer Stuart R. Wahlin as Director of Photography. To which I say congrats to the both of you!

Review: Second Star (2011) [Reviewed By Kelsey Zukowski]

noreply@blogger.com (Kelsey Zukowski) — Fri, 02 Dec 2011 01:21:00 +0000

Starring: Stephanie Sylvester, Troy Zitzelberger, Brittany Collins, Heather Dorff

Directed By: Derek Quint

Grade: B

Second Star is a short film about a homeless woman on New Year’s Eve. We follow her throughout the night as the lines between reality, fantasy, and past are blurred. It was inspired by J.M. Barrie’s book, “Peter Pan” as well as old and modern ghost legends.

Director, Derek Quint, follows a guerilla film style for a very realistic opening. For someone living in Chicago, it’s something you witness nearly every day, but are rarely a part of the way it is shown to us here. Once the party begins I liked how drastically the tone and atmosphere changed. The noticeable difference takes us in to a surreal cycle of events. We can’t be completely sure what’s real and what’s not, much like our protagonist who is scared and lost in the world she finds herself in.

The exploration of fiction and reality is among my favorite themes that can be explored through film. It’s the perfect medium to do so since film itself could be considered the blurring of fiction and reality. It’s not real, but is encompassed around reality; part of the reason film exists as a intelligent art form. Second Star takes advantage of this exploration and experiments with this character’s psyche.

The director even says he isn’t completely sure what happens, how it ends, or what is reality and what is fiction. This really emphasis the importance of the experience of Second Star; it really doesn’t matter what happens because the film is about something much larger. It’s up to you to decide what that is.

Review: What They Say (2011) [Reviewed By Clifford Kiyabu]

noreply@blogger.com (Clifford Kiyabu) — Sun, 27 Nov 2011 02:17:00 +0000

Directed by: Justin R. Romine
Written by: Kelsey Zukowski, Heather Dorff (original story)
Genre: Short / Thriller
MPAA: Not Rated
Released: 25^th September. 2011
Starring: Heather Dorff, Kelsey Zukowski, Tina Renée Grace, Kitsie Duncan, Kitsie Duncan, Dave Juehring, Tyler Klunick, Jolene M. Aldus.

Plot: They thought she had the perfect life; wealthy and privileged, an honor student with her whole life mapped out. What they didn’t know was what lied inside of her; pain and anguish; tearing at her until there was nothing left. Lost and alone, the young women (Heather Dorff), finds solace in the form of a glistening blade, splitting her skin deeply. Her self-indulgent mother and obnoxious sister (Kelsey Zukowski) are completely oblivious to her inner-turmoil. She has long since become numb to the world around her, getting that sensual release, as the razor cuts deeper, watching the blood drip, is all that matters. As soon as the last drop falls, the calm is stripped away from her with it. How far will she go to silence the hunger that now consumes her? Will she be able to regain control of her life, body, and sanity?

Review: 9/10

My Thoughts: Over the course of 2011, I’ve covered the Fathead Films project “What They Say” in multiple articles throughout the spring and summer, though much of the plot has always remained vague to you, the reader and I, there was always a sense of what’s to be expected from a film such as this. From the eerie tone the movie stills displayed, to the darkly themed synapses, everything regarding this project including the gory details shown in its teaser trailer called out a darkness that was equally compelling as was seriously disturbing. But to speak completely frank here, there was no way of preparing me for what was to come next when I actually screened WTS. To try and describe what I had seen during the screening without giving away any specific details or spoilers for that matter, would be calling it twistedly delighted. Its gory visuals are bloodstained yet oddly beautiful, setting an atmospheric narrative that captivates you in a cloud of physical and emotional pain. The film’s plot is indeed astonishingly unsettling and yet weirdly enough calming with beauty.

Within the first few minutes of viewing the film it becomes perfectly clear that WTS’s plot is deeply personal from the heart and mind of the writer, the story carried such a level of remarkable storytelling that it felt rich with raw emotion, that its essence was captured from a dark place in their life. Or at least that’s what I got out of the experience itself. That’s another thing I found so compelling and deeply fascinating with “What They Say”, is that it’s hardly something that one can summed up in words. Like an emotion, it must be felt and experienced firsthand to get a full detailed understanding of the experience itself and to fully comprehend its message. Some will argue that WTS is a horror with dramatic themes, while others will say it’s a dark drama themed with horror elements. I however, would classify it as neither. The way I saw WTS play out, or at least in my opinion, was more in line of a character study into the human soul and the darkness that dwells within. A dark passenger if you will, that lurks within us all. For many that darkness is always kept at bay never seeing the light of day, but for some that darkness is always just beneath the suffice trying to scratch and claw its way out. The question this film left me thinking with by the time it was over was; what happens when that darkness suffices?

As for the acting: the acting here is quite impressive. Heather Dorff delivered an outstanding performance in the lead. Her delivery is so well done and on mark that it felt less like a role and more like the character was living through her; the way she handled herself was dignifying and graceful to say the least. Her performance expands beyond the role itself, but rather on a deeper level that brings a certain aspect to the role that one could argue was as intimately personal to a role that any actor playing a character could get. Kelsey Zukowski gave a stellar performance as a co-star alongside MS. Dorff, showing a remarkable performance for someone still fairly new to the acting scene. Aside from her astonishing writing as a screen writer and columnist, Kelsey displayed another talent to add to her résumé with acting, making her the ultimate scream queen to look out for in the near future. Tina Renée Grace also did a fine job in her performance. Though my first encounter with her work as an actress was just earlier this year with the indie short “Love is Not Enough” I ‘m very impressed with her thus far and would even consider her as one to watch!

Final Say: What They Say managed to live up the hype and so much more, in my opinion. If there’s anything I take away from watching this film, it’s that it will take you on a personal journey to the edge of insanity and show you that it’s only through the darkness that we see truth. If there’s any indie short to see this year, What They Say is it! I highly recommend it!

Exclusive Interview with Director Alvin Gray!

noreply@blogger.com (Clifford Kiyabu) — Sat, 26 Nov 2011 23:30:00 +0000

TCW Reviews’ Administrator and Editor in chief, Clifford Kiyabu, sits down with Writer and Director Alvin Gray for an exclusive interview! Over the last few years we at The Critic’s Word have made it our priority to notice and invest time in the new up and comers in the independent scene. From writers and directors, to producers and actors, we’ve had the pleasure of sitting down with some pretty talented folks in the independent film industry or as we like to call it, your day in our chair. Today is no exception as we have a very special guest taking a seat in our virtual chair! He’s a rising new comer based in Baltimore and gaining some serious notary in the indie film scene with his new exciting project. So without further ado sit back in your chair and get nice and comfy as Alvin and I have a nice chitchat talking about topics that range from his upcoming movie, to topics regarding the mainstream industry and its current course taking by those in charge with 3D films.

Clifford: First off, I’d like to thank you for dropping by our little neck of the web. It’s always a pleasure having a talent such as you drop by.

Clifford: For my readers, who have yet to see some of your work, tell us little bit about yourself?

Alvin: I am movie/music video director. I’m 25 years old, and I’m from Baltimore MD, born and raised here.

Clifford: How long have you been behind the camera, Alvin?

Alvin: Since the age of 15 I've been making movies, so looking back now, I guess you would say over a decade [Laughs,] I've been doing this for a long time, but it seems like each movie is a whole new experience.

Clifford: As a filmmaker, do you think you’ll ever lose that “new experience” feeling?

Alvin: I don't think I'll ever lose that new experience feeling because, i never repeat myself, that makes each experience new to me. I mean, now I more comfortable when it comes to directing a scene, I'm not on edge anymore, but it’s still new every time.

Clifford: As a filmmaker, what influenced you into wanting to pursue filmmaking?

Alvin: I never was a big fan of my life, I always wanted to escape, even as a child I always played with action figures, making up my own scenarios for them. Finally when I got to high school I was introduced to multimedia class which let me explore my creativity with cameras, writing, speaking, and becoming a better director.

Clifford: Were there any specific genre in general were eyeing when you first got into filmmaking?

Alvin: Funny story, I always LOVED scary movies, my grandmother and I would always watch different scary movies, Childs Play, Poltergeist, Children of corn, etc... But my first movie was called Senior Cut Day "02" which was gonna be an adaptation of Ferris Bulers Day Off, but somewhere along the lines, I found this creepy mask on set, and decided from that mask, that I wanted to make my movie a thriller and not a comedy .

Clifford: What was the initial reaction to the changes by those involved with the project?

Alvin: The cast/friends that were a part of the movie, just went with the flow, nobody knew what they were doing, we all just wanted to be a part of something. And we kept moving forward.

Clifford: The Indie genre seems to be the main hub for original ideas these days, as a filmmaker do you foresee the mainstream industry openly embracing the indie genre in the near future?

Alvin: Right now I feel like the mainstream industry is threatened by the indie genre as well as they should be, I mean......for years, they had the power of deciding who was the star, who’s story should be seen, and what worlds did they want to show. But now, it's not about what Hollywood thinks, it's about the people and how well the director can connect with them. Mainstream will always try to avoid us, because they want the money to themselves; take note, as soon as EVERYBODY started making HD quality movies, the mainstream started to push 3D heavily on people, to set themselves aside from indie film makers. And when we adapt to 3D, they'll put out "smell a vision"

Clifford: Speaking of 3D, do you believe 3D is here to stay, or will be just another fad to fade within the coming years?

Alvin: 3D is just a new way to re-invent the wheel, to let all the indie film makers know who's boss, [Laughs,] but I don't think 3D will disappear but maybe upgrade to 4D, smell, touch, feel, and see movies.

Clifford: When you’re in the process of making a film, do you have a routine that you run through in order to get yourself into the moment, so to speak, and if so, would you like to share it with us?

Alvin: I honestly don’t have a process; I just close my eyes and jump in.

Clifford: Alright, you’ve got a film called “Senior Cut Day.” coming out soon. Care to tell us a little bit about it?

Alvin: Senior Cut Day (2011) is about a group of kids that car breaks down in the woods, on their way to the cabins for senior cut day. Not paying attention to their surroundings, they decided to camp out and have fun in the woods that night, Getting drunk and partying all night, they find themselves separated in the morning, and one by one being killed off by homeless scavengers that live in the woods.

Clifford: SCD sounds like it pays homage to classic horror films of the 80‘s, was that the intended goal?

Alvin: My intended goal for SCD is to be a thriller that teens will follow every year for their senior cut day. When I was younger and even now, on EVERY Halloween, I make sure I watch at least one Michael Myers movie. It's just tradition. I want kids around the world to say "let’s cut school on senior cut day and watch Senior Cut Day" [Laughs].

Clifford: Where did principle filming take place?

Alvin: Mostly on a private farm which is a haunted hay ride in the fall, called Legends of the Fog.

Clifford: How long did the filming process last?

Alvin: all together, I would say 5 months.

Clifford: During filming, did you run into any unscheduled problems or conflicts?

Alvin: Man, this whole production was an unscheduled conflict smh :/

Clifford: Okay now this next question is TCWreviews’ signature question so don’t feel alarmed, you’re not the only one [Laughter]

Clifford: The term ‘For The Sake of Art’ has always been coined in the entertainment industry for how far an actor/actress would be willing to go for, well… the sake of art. So my question to you is; How far are you willing to go for the sake of art in this industry?

Alvin: A true artist never has a line, we shouldn't be afraid to push the envelope to explore all options, that’s what makes us different, that’s what helps us discover new things to share.

Clifford: As part of a recently established tradition here at TCWreviews, we allow one anonymous reader a chance to ask our celebrity guests a question, but don’t worry we’ve filtered out any nasty obscenities [Laughs]. A reader asks “What are the most stressful aspects of directing, and what are the most rewarding?”

Alvin: The most stressful part of the aspect of directing working with ACTORS AND ACTRESSES, they're just weird and turn into babies on the set. But like all parents, i love my babies........I guess. But the most rewarding part is the fans with benefits ;) "If you know what I mean" hahahahaha

And that concludes my interview with Alvin Gray the director of Senior Cut Day: The Movie (2011). Interviewing Alvin was as insightful as it was a pleasure. Though he’s just starting to get his feet wet in this industry, from my personal opinion on him, Alvin has a bright chip on his shoulder, and as long as he stays the course he’s on I can see him achieving great things in the film industry. Alvin Gray is defiantly one to watch. Keep a look out for his upcoming film Senior Cut Day, which is scheduled to make its official premiere on Thursday December 8, 2011. To learn more about the premiere visit GoldenTiger Productions to find out where to see it and how the buy tickets. Also learn more about the film by visiting the official website at seniorcutdaythemovie.com and its official Facebook Page

True Blood Gets New Blood Next Season!

noreply@blogger.com (Clifford Kiyabu) — Sun, 20 Nov 2011 22:42:00 +0000

If you’ve ever heard the phrase Fangbanger or have the overwhelming urge to say “You are mine” in a deep seductive southern accent, then it’s most likely you’re a fan of author Charlaine Harris’ The Southern Vampire Mysteries AKA The Sookie Stackhouse Novels AKA True Blood (wow that a lot of AKA’s.) and most likely an even bigger fan of the hit HBO series. With that being said, one could argue that True Blood played a huge part to the recent successes of vampire lore being a popular topic in all forms of media today. And with the series being at an all-time high in ratings and popularity what could possibly make the show even more interesting? Well how about some new faces added to the cast for the next season? Yep that’s right, Deadline reports that two new actors have been cast for the 5th season of True Blood. At the moment the creators have been mum on anything regarding the production of next season including what direction the general plot will be taking next year. However, with that being said, Deadline acquired an expulsive regarding the two new additions to the cast. Actress Kelly Overton and actor Louis Herthum will be joining the cast next year with each getting a 6 to 7 episode story arc next season.

Overton, will play a dirty, beautiful werewolf named Rikki who demands to know what’s become of the pack leader.

Herthum, will play a particularly large Marine-type werewolf who refuses to bow down before the new pack leader.

Meanwhile there is still no official word by the creators or not if season 5 will in fact be the shows last season or not. As hinted by the creators early this year, there have been some hints at the possibility that season 5^th may or may not be the last season for the hit HBO show. For now Trubies will just have to wait it out until official word on the subject does come down the wire, If and when word does arise you can bet we will report it.

Side Tidbit: I’m probably going to get some heat from this but I honestly don’t care, if you think Twilight is what Vampires are, then you know nothing about vampires and don’t deserve to call yourself a fan of the lore.

Dexter Gets Renewed for 2 More Seasons!

noreply@blogger.com (Clifford Kiyabu) — Sun, 20 Nov 2011 22:38:00 +0000

We at The Critic’s Word are rather huge fans and supporters of Showtime’s Dexter and have been watching the show’s production quite closely throughout the years. And despite the show reaching a record breaking high in ratings for the network, the show has suffered some pretty big controversies as of recent that has, dare I say it, jeopardized the show’s stability. First there was news of the show’s star, actor Michael C. Hall undergoing treatment for a treatable form of Hodgkin's lymphoma which had fans wondering if he would pull through. Then there announcement that his wife and co-star, Jennifer Carpenter filed for divorce from Hall. Once again fans wondered if the two would be able to their differences aside to continue working together. But the biggest hit for the show was during the summer when it was announced that Hall was at odds with the network over a contract dispute. Word on the street was that Showtime wanted to lock Hall in for at least two more seasons of Dexter for 20 million (10 million per season) but Hall’s camp wanted 12 mill per season (24 million for 2 seasons in total). This little hiccup put the future of the show in jeopardy as there seemed to be no nudge by either side’s camp.

However, it seems that America’s favorite serial killer has proven to have nine lives after all as Showtime has decided to lock Hall in for at least two more seasons granting him a pay raise of 12 million per season and 24 million in total. David Nevins, president of entertainment at Showtime. Had this to say about the decision to keep Dexter around a bit longer. “Dexter's enormous success is a real tribute to the great achievements of its cast, producers, and the powerhouse performance of Michael C. Hall,” Nevins then went on to say “The series is bigger than it’s ever been in its sixth season, both in terms of audience and its impact on the cultural landscape. Together with Michael, the creative team on the show has a very clear sense of where they intend to take the show over the next two seasons and, as a huge fan, I’m excited to watch the story of Dexter Morgan play out.” Well then, I guess this means Dex is here to stay for the time being, the only question remains now is if the creators can pull off ending the show on a high note, and where will the next two seasons take our favorite serial killer.

Side Tidbit: I know I’ve probably said this before, but I cannot foresee this show ending on a positive note for Dexter Morgan.

THE BOONDOCK SAINTS’ GRAPHIC NOVEL TO LAUNCH ON NOV. 21ST WITH A SIGNING EVENT AT LOS ANGELES BARNES & NOBLE

noreply@blogger.com (Clifford Kiyabu) — Sun, 20 Nov 2011 22:28:00 +0000

There’s a lot to be thankful for these days, especially if you’re a fan of the “Boondock Saints” films. It seems like there isn’t a month that goes by these days that word comes out from the Duffy camp regarding Boondock Saints goodness. And to think there was a time where there was little to nothing regarding the series. But if that’s not enough, there will be an entirely new reason to be thankful this holiday season especially if you live in the Los Angeles area. On Monday, November 21^st. Troy Duffy and his skilled comic team will be making a special appearance at the Barnes & Noble in Los Angeles for a book signing and also giving away special goodies to the first 200 people who show up and an additional special goodie to only the first 100 people who arrive there first! Now before you drop what you’re doing to secure a place in line, I must stress that you first read the details below before making any hasty decisions. So read on fellow movie buffs!

TROY DUFFY and J.B. LOVE - the writers behind The BOONDOCK SAINTS' initial foray into comics will be signing the collected GRAPHIC NOVEL edition at BARNES & NOBLE in LOS ANGELES and they’re bringing DAVID DELLA ROCCO as well!

TROY DUFFY’s original BOONDOCK SAINTS film is one of the most successful independent movies of all time, with a fiercely devoted fan base - with nearly 5 million online followers of the franchise. With the hit comic series "IN NOMINE PATRIS", creator/writer/director TROY DUFFY launched the first "Saints" story to take place outside the iconic films. Written by Duffy and comic scribe J.B. LOVE, the comic series is the perfect companion to the films.

The story masterfully interweaves the events of the BOONDOCK SAINTS II: ALL SAINTS DAY with brand new material to reveal the secret history of the original saint, NOAH MACMANUS (IL DUCE) as he wages a bloody war against 1960's New York's Underground Crime world. The storyline is intercut with brand new adventures of the BROTHERS MACMANUS (The Boondock Saints) doing what they do best; doling out their special brand of justice to those that deserve it. "In Nomine Patris" brings a new chapter of the Saints saga to life while revealing the family legacy that created this trio of "Shepherds".

Featuring a forward by Connor MacManus himself - actor, SEAN PATRICK FLANERY - Join Troy Duffy and his comics team in this thrilling new Saints Adventure by pre-ordering the collected edition. This special trade paperback collects all six comic issues, never before seen art, a cover gallery, behind the scenes sketches and more. This is the collection the fans have been waiting for!

BARNES & NOBLE will HOST the first signing of the Graphic Novel before it’s available in stores! The FIRST 200 Guests will Receive a FREE COPY of the Exclusive Comic, “THE LOST GIG” starring fan favorite, ROCCO. The FIRST 100 GUESTS will also receive a FREE BOONDOCK SAINTS POSTER.

The Signing is November 21^stat 7pm at the BARNES & NOBLE at THE GROVE at Farmers Market (189 Grove Drive Suite K 30, Los Angeles, CA 90036. The Store Phone Number is 323-525-0270.) For Additional Event Information please visit http://store-locator.barnesandnoble.com/event/74348

Side Tidbit: I wonder if someone will be lucky enough to get him to commit to making a 3^rd Boondock Saints film within the next 3 to 5 years. If someone does they’ll no doubt earn The Critic’s Word’s undying respect! [Laughs]

Review: The Reef (2010) [Reviewed by Stuart Wahlin]

noreply@blogger.com (Stuart Wahlin) — Wed, 02 Nov 2011 16:49:00 +0000

Starring: Adrienne Pickering, Zoe Naylor, Damien Walshe-Howling, Gyton Grantley, Kieran Darcy-Smith

Director/writer: Andrew Traucki

Grade: B+

Yes, I’m one of those folks who chomps at the bit 51 weeks out of the year, eagerly anticipating the arrival of Shark Week, which I watch from below a huge oil painting of a Great White stalking the depths, hung in a position of honor above the fireplace. The bar in my home, nautical in theme, is adorned with shark jaws and other maritime treasures. Hell, there’s even a baby shark in a jar. It’s fair to say I love sharks, man-eaters especially.

I thank Jaws for that, and Spielberg’s masterpiece is the standard by which all other shark films are judged. Despite how far the Jaws franchise has fallen since, the original film remains not only a horror classic, but a great film, period. It is one of those rare exceptions in that the film version is actually better than the novel.

Naturally, I perk up every time I catch wind of a new shark movie hitting theaters or DVD. Subsequently, I’m always disappointed. One of the most popular and successful in recent memory, Deep Blue Sea, was just plain awful, in my opinion. Few things irk me more than CGI sharks. They don’t look real and they’re just not scary. If I wanted to watch cartoon sharks, I’d stick with Jabberjaw. Even Spielberg’s “Bruce,” the mechanical shark that never seemed to work during the filming of Jaws, was scary--because you could tell it was a tangible thing in the water with the actors.

Bruce’s lack of cooperation with the filmmakers resulted in what I call a fabulous disaster, though. As much as Bruce’s aversion to salt water made Spielberg question his future in movies, the result was seeing much less of the shark in the first hour of the film, thus heightening the suspense--that same suspense one might feel while treading water in the ocean, wondering what is lurking around you beneath the surface. Weave that with a little footage of real sharks, and you’re halfway to something that will scare people to the safety of hotel swimming pools, rather than playing Russian roulette with Mother Nature by venturing into the surf.

A 2010 Australian film called The Reef, apparently based on a true story, is about as close as anything has come to touching Jaws, and it’s worth watching. If you’re just looking for a recommendation, you’ve got it. Stop reading, and check it out. Warning: Spoilers ahead.

The Reef is director Andrew Traucki’s second feature film. Pleased with the job he’d done on his first, Black Water, an effective crocodile flick also based on true events, I suspected it would be worth seeing.

The story: Luke delivers sailboats for a living. Nice, huh? He and his first mate, Warren, are joined on a delivery cruise by three of Luke’s pals, Matt, Suzie and Kate, one of Luke’s old flames. Along the journey, Luke decides to impress his friends by taking the boat toward a reef for some snorkeling.

A sense of foreboding belies the frolicking as schools of fish are seen to scatter. Meantime, the boat drifts dangerously close to disaster as the reef threatens to tear open its hull. The four friends hastily take their raft back to the boat. After some tense moments, Luke seems to have maneuvered the craft out of danger. But then, of course, they destroy their keel on some coral anyway, and quickly begin taking water, which capsizes the boat. Warren, knowing that large predators could be nearby, is quick to get out of the water.

As the five ill-fated travelers collect their thoughts and supplies atop the capsized vessel, Luke determines that not only is the boat sinking, but that it’s drifting farther from land as it does so. He estimates they could reach an island after a 10-12-mile swim. The five must now decide whether to remain on the boat, hoping for rescue, or to swim for it. The sense of anxiety escalates as a large shadow is seen looming in the water.

Warren wastes little time deciding that he’ll take his chances on the boat. Meantime, Luke retrieves wetsuits from an air pocket inside the disabled boat. As the other four put them on and prepare for their long swim, Warren reminds them that the wetsuits make them look like seals, a favorite meal for Great White sharks. Still, the others are committed to swimming for land, and Warren and the boat disappear on the horizon behind them as they embark on their journey. According to an afterword, no trace of Warren was ever found.

The swimmers soon see a hump in the water. As they get closer, they realize it’s a large sea turtle. Approaching it, they discover the turtle has become a snack for Mr. White. Around this time, the group begins catching glimpses of something else in the water with them. They are being stalked, and start to get picked off, one by one. When the first victim’s leg is bitten off, Matt’s companions rush to his aid, but he urges Luke and the two girls to leave him to die, for their own safety. Not having to be told twice, the remaining three swim on as night begins to fall, but there are constant reminders that they are still being followed.

Hysterical and hopeless, the three somehow manage to fall asleep in the open water. When dawn arrives, Luke is the first to wake and notice an island on the horizon. With renewed hope, the three continue toward it. Between themselves and shore, several rocks can be seen jutting from the surface.

They reach the first one and perch themselves atop it, taking a brief rest before heading for the next. The tension rebuilds as we see schools of fish scattering once again. Oh, yeah, there’s also a fin slicing through the water, but it turns out to be a dolphin. Just when the mood seems about the lighten, another fin appears, and the Suzie is savagely taken by the stalking shark. Luke and Kate, who’ve managed to rekindle their romance during all of this, make it safely to another rocky perch.

Before making one last dash for the nearby island, however, Luke opts to swim back to where their devoured comrade has left a floatation device. This is where everyone watching the film does a face-palm, but Luke safely retrieves it before they embark on the home stretch to land. Using his diving mask first, Luke surveys the sharp drop-off that lies between them and the rocky island. He sees only blackness.

More tense moments ensue as they struggle to climb the rock wall that stands between them and the safety of dry land. Long story, short here, she makes it, but Luke is devoured.

Final thoughts: Now, although this film is supposed to have been based on real events, I’m willing to bet liberties were taken with the story, because they always are. The climax works, but I prefer my own idea for an ending: As they make their way closer to the island, reaching the final rock standing above the surface of the water, they should have discovered the island is actually a seal colony, where Great Whites feed at will. So, instead of moving toward safety, they would learn they’ve actually been headed into even worse danger. That point of hopelessness, when they’d be left to decide between staying on that rock, or dashing for the island they’d assuredly be eaten before reaching, is where the film should end. Still, The Reef is good nail-biter I’m happy to recommend, especially to those who share my craving for stories of sharks with a taste for human flesh.

Boondock Fans Rejoice! "IN NOMINE PATRIS" Limited Edition Is Coming!

noreply@blogger.com (Clifford Kiyabu) — Sat, 15 Oct 2011 12:05:00 +0000

Since the release of the 1999 cult classic The Boondock Saints, director Troy Duffy’s stark tale of vigilance, guns and brotherly mayhem have been all the rage in many circles over the last decade and it’s audience continues to grow till this day. But what’s not mentioned here is the dreadful wait many of the fans and Boondock Betties alike had to go through before a sequel was finally produced. Fortunately for fans everywhere however, there won’t be much of a wait to dive back into the world of MacManus brothers, so to speak. No one knows when exactly we’ll get another sequel from Duffy and the gang (if any of the production crew is reading this, then PLEASE hurry up already!) but until that day does come, fans can always rejoice knowing that they’re beloved cult classic continues in a different media format… Comic books!

Last year fans of the popular Boondock Saints’ series flocked to near by comic shops and book stores to collect the 12-Gauge Comics comic mini series “IN NOMINE PATRIS.” which was well received by both veteran fans and newcomers to the series as well as critics for it’s loyal dedication to the core material the comic is based on. And while it may not be the next live action installment in the franchise fans are eagerly awaiting more. It did serve as a satisfactory alternative to the films which would keep the fans busy until the next installment. However, if you haven’t picked up your copy of this vigilant tale of mayhem and rough justice or is just hearing about it now, then you might want to hold off just a bit longer before picking up a copy as 12-Gauge Comics is re-releasing the graphic novel “IN NOMINE PATRIS.” in two special limited collector’s editions just in time for the holidays!

The BOONDOCK SAINTS' initial foray into comics is expanding into two new LIMITED COLLECTORS’ EDITIONS - A DELUXE HARDCOVER with exclusive deleted scenes and an ultra-rare signed and numbered “BLACK LABEL EDITION”.

The HARDCOVER is LIMITED to 850 COPIES and includes 16 pages of never before released, new material and a brand new cover by series Producer, Eben Matthews. This new content brings fans behind the scenes of the comic series and reveals the alternate version of the comic series’ second issue including the full story of IL DUCE’S BETRAYAL by “The Roman” and how we come to find him in Prison during the first film.

The “BLACK LABEL EDITION” is designed for the ‘Psycho Boondock Fan’ and is the ultimate edition of the Graphic Novel. This package includes the Hardcover as well as an exclusive set of mini-posters showcasing all six comic covers by series cover artist extraordinaire, Chris Brunner. It is packaged in a gorgeous black on black museum quality clamshell case and debossed with the Saints’ Celtic cross and iconic “Veritas / Aequitas”. This edition is LIMITED to ONLY 150 COPIES and SIGNED AND NUMBERED by Franchise Creator / Writer / Director, TROY DUFFY.

“IN NOMINE PATRIS” is Troy Duffy’s first foray into comics and the first outing of the Boondock Saints in a whole new medium. While staying true to the characters and tone which has made The BOONDOCK SAINTS films among the most successful independent movies of all time, this brand new story written by Duffy and comic scribe, J.B. LOVE is the perfect companion to the films.

The hit comics series masterfully interweaves the events of the BOONDOCK SAINTS II: ALL SAINTS DAY with brand new material to reveal the secret history of the original saint, NOAH MACMANUS (IL DUCE) as he wages a bloody war against 1960's New York's Underground Crime world. The storyline is intercut with brand new adventures of the BROTHERS MACMANUS (The Boondock Saints) doing what they do best; dolling out their special brand of justice to those that deserve it. "In Nomine Patris" brings a new chapter of the Saints saga to life while revealing the families LEGACY OF VENGENCE that created this trio of "Shepherds".

Featuring a forward by Connor MacManus himself - actor, SEAN PATRICK FLANERY - Join Troy Duffy and his comics team in this thrilling new Saints Adventure by pre-ordering these deluxe collectors editions. In addition to the Hardcover’s exclusive content, the graphic novel collects all six comic issues, never before seen art, a cover gallery, behind the scenes sketches and more. This is the story that answers many of the questions raised by the two films, now packaged in two highly collectible editions sure to delight any hardcore Boondock Fan.

Both the Limited Edition Hardcover and Ultra-Rare “Black Label Edition” are AVAILABLE FOR PRE-ORDER EXCLUSIVELY FROM THE OFFICIAL BOONDOCK STORE (www.boondockstore.com) and will ship in time for the holidays.

The New BOONDOCK SAINTS GRAPHIC NOVEL : COLLECTORS' EDITIONS

Troy Duffy on the New BOONDOCK SAINTS GRAPHIC NOVEL : "In Nomine Patris"

As stated above, both collector’s editions are available for Pre-Order right now, the Limited Edition Hardcover will ship in mid November while the “Black Label Edition” is set to ship in mid December.

The End of Originality!

noreply@blogger.com (Keyboard Junkie) — Sun, 25 Sep 2011 21:23:00 +0000

I think it‘s time I got back into the habit of writing again. It‘s been far too long since I last spoke my mind, and for good reason of course. I used to go places when I wrote, places that my readers really didn’t care for me to go, and always made it clear to me in their hate-mail. It’s not my fault I have a straightforward mind, and a no-dick assessment when it comes to the topic at hand. Though it is a little crude of me to tell my readers to go ‘f**k off’ when they strike back. Still, I’m here again, and this time the topic of choice is my favorite people to hate, back in my very crosshairs. Yup… HOLLYWOOD.

But not just anyone and everyone in Hollywood. I don’t hate the hardworking waiter that’s forced to serve those arrogant no talent hacks that call themselves celebrities. I don’t hate the underrated and underpaid assistants that’s forced to bend over backwards and take it up the ass by their overpaid and overrated executive bosses. And I don’t hate the maintenance workers, the street cleaners, the hardworking film crews, the meter maids or even the prostitutes and come out after dark. No, not even them. Because even the prostitutes earn their pay… yeah, I just went there. Deal with it.

So who do I hate? Well, sit back and let me open up and explain myself. I hate the executives. I hate the executives that allow, back, or force each and every single comic book adaptation, remake, reboot, re-imagination, sequel and prequel out into the world. I hate the writers. No, not all of them, clearly. I hate the writers who supports these ideas by helping to put pen-to-paper, or finger-to-keyboard over and over again. I hate the actors who give in to these pathetic excuses by first, agreeing to star in these films, thus giving them notary and recognition, and second by demanding such high paychecks, thus raising the budget of said films to such an extreme level that it almost never makes the box-office that it should.

I hate that great writers and great directors are only recognized by a small contingent compared to the masses that follow idiots like Michael Bay and other mainstream directors. I hate that great actors are only remembered for the mediocre films that they stared in, rather than the memorable pieces of art that they worked endlessly to accomplish. There is no more originality left in Hollywood. There is only movies to pass the time between true works of art, which is quickly becoming scarce and in-between.

I bow my head to the hardworking men and women who strive to keep originality alive. I bow my head to the chosen few (and I do me few) executives who supports the arts by giving original ideas a chance… And I bow my head to every single person that supports these films by paying to see them rather than illegally downloading them off the net. Thank you for your contribution to the cause. Keep up the good work.

Copyrighted © 2011 - CsK Article.

When Will They Learn?

noreply@blogger.com (Clifford Kiyabu) — Tue, 20 Sep 2011 13:31:00 +0000

Every time news hits the web about a certain celebrity’s phone or computer being allegedly hacked by some unknown illusive hacker, I can’t help but ask the question: When will they learn? I’ve stopped asking “why” eons ago, because everyone has their reasons. Maybe it’s because they thought it was a good idea at the time and never imagined that their phone would be hacked and it would ever get out. And then there’s those who do it to take “Self portraits of themselves” (common, really? Are you F***ing kidding me!?!).

But in truth, there are literally thousands upon thousands of reasons why someone would do something so impulsive as this, to be frank. But in the digital age that we live in where information travels across the globe in the blink of and eye, and a total stranger is just one keyboard button click away from invading your most personal aspects of your life, the question no longer become Why, but rather when will they learn?

This year alone has seen hordes of celebrities’ entrenched in a web of controversy over alleged photo scandal. The latest of course being Iron-Man 2 starlet actress Scarlett Johansson, whom had her naughty bits paced all over the internet by an alleged Hacker, as reported by paparazzi website TMZ . Also covered by them was the report that the Avengers’ star also went a notch further and contacted the FBI over the hacking and has had her attorney Marty Singer fire off in letters sent to various sites hosting the photos demanding that they remove the "stolen copyright protected private photographs" immediately or face legal action. TMZ also went onto say that Singer claims, "The highly personal and private photographs at issue capture our client self-posing in her own home in a state of undress and/or topless." And that if they failed to comply they’d "be acting at your own peril. Please govern yourselves accordingly." Now I’m not fully sure if Singer or his client, miss Johansson, might be aware of the stage they’ve just set for future scandals. By acknowledging these to be authentic and also taking claim to them being copyright, it makes websites displaying them to be in legal hot water of copyright infringement, and I foresee this becoming a trend in the near future. I’m not one to judge here, lord knows I’ve done my fair share of less noble stuff in the past. But that doesn’t change the fact that one cannot help but ask one simple question; when will people learn?

Tidbit: My best advice to other celebrities out there, don’t take compromising pictures of yourself with an electronic device that has net capability.

Tragic Loss of Two Extraordinary Actors Over 9/11 Anniversary Weekend!

noreply@blogger.com (Clifford Kiyabu) — Wed, 14 Sep 2011 13:12:00 +0000

If things weren’t already feeling depressing with the 10th anniversary of 9/11, the day of the anniversary suffered yet another great tragedy to mark this particular date in the entertainment world. British actor and “Spartacus” star Andy Whitfield past away at the age of 39, on Sunday September 11th 2011. Whitfield was diagnosed with non-Hodgkin’s lymphoma in May 2010 and was undergoing treatment in New Zealand. During the 2010 Comic-Con he told Zap2It in a interview that he was feeling “better than ever” and hoped to return for the second season of Starz‘s hit show. But unfortunately the cancer had gotten the better of him, as he was forced to take an indefinite leave of absence in September of that year. Many had still hoped for a speedy recovery for him, but it was with great sadness that he had lost the battle. Whitfield’s wife Vashti said in a statement issued to The Associated Press. “He passed peacefully surrounded by love. Thank you to all his fans whose love and support have help carry him to this point. He will be remembered as the inspiring, courageous and gentle man, father and husband he was.” On the official Gabriel (2007) Facebook page an official statement was released by the production “The entire Gabriel family and community are deeply saddened at our loss of Andy Whitfield. We thank you for all your support over these past few years and know he was grateful for it also. There will never be another like him...”

…and if that news wasn’t depressing enough, Hollywood suffered the lost of another legend earlier in the week. Veteran actor and Academy Award-winner Cliff Robertson passed away of natural causes on Saturday September 10th. at Stony Brook University Medical Center on New York's Long Island, a day after his 88th birthday. Robertson is famously known for such roles as portraying President John F. Kennedy in the 1963 WWII film “PT 109” and for his portrayal of a mentally disabled man in "Charly" in which he won an Oscar for. Robertson never quite achieved reaching the top dog level in Hollywood like some of the other notable stars of his generation, but never once faded from the public eye even the 21st century. According to Evelyn Christel, his personal secretary of over 50 years, said that he died of natural causes. For modern moviegoers Robertson will be remembered as the kind hearted Uncle Ben in the Sony Pictures’ box-office hit Spider-Man films directed by Sam Raimi. Spider-Man 3 is noted down as his last official film appearance.

Concept Art of Pinhead And Other Cenobites For Possible “Hellraiser” Remake!‎

noreply@blogger.com (Clifford Kiyabu) — Mon, 12 Sep 2011 13:23:00 +0000

Not long ago, I posted an article about the horrifyingly awful Hellraiser sequel; Hellraiser: Revelations, which was visually hell to say the least (and believe me it was not a complement on the film). Long story short, I wouldn’t dare recommend it to anyone, including my own enemies… period. Well I’m not here today to talk about that blasphemous piece of garbage, but rather something else that’s more or less in relation to it, so to speak. As you know, the powers that be in Hollywood is relentlessly determined to remake, reboot and or re-imagine every bit of film property that they can get their money grubbing hands on,. So it was only a matter of time before they’d eventually make their rounds to the Hellraiser franchise. And believe me, after Revelations, I don’t think there is a single fan on planet earth that wouldn’t welcome a do-over on the franchise at this point.

So if you’re eagerly awaiting the new remake as I am, then get ready to become all giddy with glee as Shock Till You Drop has acquired exclusive concept art of what the new Pinhead might look like! conceptual designs that were created for Patrick Lussier and Todd Farmer's Hellraiser remake. These were created by FX vet Gary J. Tunnicliffe of Two Hours in the Dark. As you can see, they maintained some similarity to the original Pinhead design, but encased it in a rather phallic collar. He was going to be joined by another male Cenobite known as "Skinner" and a female Cenobite. Check it out below and afterwards go HERE to see two new Cenobite concepts:

On a sad note however, it was reported earlier this week across the interweb that the status of the remake moving forward has lost some steam in it’s progress. Apparently “Drive Angry” helmer Todd Farmer and Patrick Lussier were attached to the remake, but during the attending of the Los Angeles signing event for “Still Screaming” the due apparently said it was unlikely to happen with them. In a interview with horror website Bloody Disgusting Todd Farmer went on record when asked if they were still involved. “I don’t think so. We developed several versions for Dimension, but in the end we never saw eye to eye creatively. We wish them the best and look forward to seeing what they come up with. We expected when we came back from 'Drive Angry' that we would jump on 'Halloween 3D'. But they wanted to do 'Hellraiser' first, and we were sort of intrigued by the idea. We’ve done probably three different outlines at this point; we haven’t gone to script yet.” you can read the interview in it’s entirety HERE

Tidbit: It’s rumored that Revelations was made specifically as a last ditch effort to maintain the rights to the franchise a bit longer while the studios work a bit harder on properly develop the remake, but only time will if there’s any truth to that, but if that is the case then they better make the wait worth it. For now no dice on the remake.

Review: The Symphony (2011) [Reviewed By Kelsey Zukowski]

noreply@blogger.com (Kelsey Zukowski) — Sun, 11 Sep 2011 20:17:00 +0000

Starring: Robin Zamora, Marissa Merrill, Bill Oberst Jr.

Directed By: Michael LaPointe

Grade: B+

Review Written by Kelsey Zukowski

I have become really burnt out on screeners lately. Everything I get seems to suffer from terrible mediocrity. If some of these films would try to take chances, do something even slightly different, or have any purpose or point to the recycled kids-in-the-woods horror scenario, this wouldn’t be the case. Among the first minute of The Symphony, I knew this film would be the exception to those I have been seeing lately. It’s original, insightful, and filled with passion. The film takes an interesting approach to storytelling, following the standard act structure and elements, but clearly having an experimental film identity. It utilizes this without ever really feeling too experimental. It’s authentic, relatable, and engaging all the way through. The audience never has to question what is going on or if there is some abstract translation to it.

Ray (Zamora) is a self-mutilating artist who believes his life’s work of completing an album of truth is just within his reach. Ray largely uses actual clips of authentic human movements and actions, representing their humanity. It’s all about showing mankind, from the vibrant life it possesses to the pain and ultimate farewell. He cuts himself to try to find his muse, any ideas or abstract thought through a dream spawned by the pain that he can use. His girlfriend just thinks he has an obsession to his work and feels neglected. Ray can barely break away from his work, to him it’s not work; it’s the entire purpose of his life. When Ray begins seeing a homeless man who might hold the key to all of his answers to completing the perfect piece, he slowly gives himself over to him. How far will Ray go to complete this piece though and is his life worth the legacy he might leave behind?

“I cut myself, it burns so much the pain makes me hallucinate and pass out. Just to have a dream I can use. Use to make a sound for the album.”

This is one of the first spoken statements of the film. I was immediately sucked in from then on. There is just so much Intriguing material in that line of dialogue alone; meaning to self-mutilation, what can drive a person there, craving for artistic meaning through dreams, the passion and dedication to not only ones craft, but to bringing a purpose to life, something concrete that will last longer than a fragile, mortal life.

In the interest of not spoiling anything I won’t list what the last line of dialogue is, but it goes hand in hand with the quote above; both seem to summarize the film perfectly, coming full circle to the true importance of this in the end. That is something that few films can do, while seeming completely genuine rather than overbearing. It really is a perfect ending, how it had to end, challenging our main character to see how much he would really sacrifice.

Robin Zamora did an incredible job in the lead role. If it wasn’t for him committing to it so fully and bringing out this realistic character the film could have very easily fallen apart. Ray’s inner monologue helps us get inside of his mind and understand his turmoil and drive, but we really don’t even need that to empathize with him. Zamora’s facial expressions show all of the emotion that is surging through Ray’s veins at any given moment. His eyes carry it all. All of the performances were very naturalistic, but just based on comparison Zamora outshines them all.

The content and execution of a film is what really sways my opinion. I can appreciate a good looking film, but I tend to be more substance over style. However, The Symphony is the best of both worlds, the all around good film. The aesthetics are impressive, but are there not to look pretty but to compliment our character and his story. Ray’s dream world and composure in his work are where his spark lies. Thus, these are the moments that are brightly colored jarring images and an alternate state of mind. Every sound is amplified, even the seemingly mundane. To our protagonist no sound is insignificant, especially those that are pure forms of human life. Any time he is editing, there is a clock ticking away, personifying a death clock count down. It works off the question of the film, will the album’s completion or death come first? The visuals are dark and gritty, bringing us in to this dark tale full of intensity, determination, and the brushing along the edges of death.

Boondock Saints’ Graphic Novel Now Available For Pre Order!

noreply@blogger.com (Clifford Kiyabu) — Tue, 06 Sep 2011 08:38:00 +0000

For many fans of the Boondock Saints franchise, there is only one defining moment that will fill them with pure ecstasy, and that’s the day that word comes down the wire that a new sequel is on it’s way. Sadly, that is not today. However, there is a light at the end of the tunnel, so to speak. A bit good news that will no doubt flutter the hearts of Boondock Betties everywhere. And that news comes to us in the form of a comic written by Boondock Saints’ helmer Troy Duffy and will serve as the perfect companion to the film series…

The BOONDOCK SAINTS' initial foray into comics is now available for pre-order in a collected edition chock-full of never before seen bonus material (on sale this November)! TROY DUFFY’s original BOONDOCK SAINTS film is one of the most successful independent movies of all time, with a fiercely loyal and devoted fan base - including 4.5 million social media fans and counting. With the hit comic series "IN NOMINE PATRIS", creator/writer/director TROY DUFFY launched the first "Saints" story to take place outside the iconic films. Written by Duffy and comic scribe J.B. LOVE, the comic series is the perfect companion to the films.

INNFUSION and 12-GAUGE COMICS are proud to announce THE BOONDOCK SAINTS, VOL. 1 TP: “In Nomine Patris”; NOW AVAILABLE FOR PRE-ORDER at Amazon.com, Barnes & Noble, Hastings, and all quality book and comic book stores across North America.

For a comic shop in your area, please visit comicshoplocator.com

Tidbit: Thanks to Wendy Shepherd over at Studio Matrix for sharing this.

Review: WTFU (2010) [Reviewed By Clifford Kiyabu]

noreply@blogger.com (Clifford Kiyabu) — Wed, 24 Aug 2011 11:10:00 +0000

Directed by: Allison Lane
Written by: Allison Lane & Chris Ritter
Genre: Short / Comedy
MPAA: Not Rated
Released: September 2010
Starring: Dan Brennan, Allison Lane, Wade Foster, Ed Cryer, Allison Mosier, Tom Miller, Erin Cronican, Rich Fromm

Plot: "The Producers" meets "Good Morning America" in this hilarious (and seriously wrong) 26 minute award winning comedy, based on the hit web series "The Morning Bitch"

Review: 7/10

The Story is about: based on the hit web series THE MORNING BITCH, WTFU is a hilarious short that focuses on a Long Island talk show producer (Brennan) stuck in a dead end job and wants to seek a more adventurous opportunity, but his boss, the president of the network, won’t let him out of his contract unless he pays back every cent he‘s ever earned from the network, so without many option left to his disposal, he finds a way to get himself fired but replacing the co-hosts of the network’s highly rated talk show and replace them with two rude, Obnoxious and racist individuals you’d ever imagine on morning television, but what happens when his plane begins to back fire on him?

My Thoughts: There’s nothing more undesirable than winding up in a dead end job. You know the type, one that allows little chance for new and existing creativity to happen (basically it‘s the SSDD routine). It’s a pain, having to wake up to such a feeling (or so I‘ve heard) and very often, the person going through it will from time to time question themselves: “Why do I do it?” Well that’s where this delightful indie short WTFU comes into play. WTFU is written by Allison Lane and Chris Ritter and is also directed by Allison Lane whom co-stars in it.

The film follows Dave Grayson (Played by Dan Brennan) a successful morning talk show producer for a Long Island based show called “The Morning Dish”. having worked this job day in, day out, for well over a decade, Dave wants something new, fresh and exciting in his life rather than the same old routine. And when he gets a job offer from a major international news agency, Dave doesn’t waste time contemplating over it and decides he’s going for it, only problem is, the contract he signed (Let this part of the story be a lesson for any one signing a contract, under no circumstances do you sign any contracts unless you and your lawyer has given it a thorough examination before you put pen to paper) with the job he’s currently with dictates that if there is a breach of contract on his end in any way he’ll have to pay back every penny with a percentage of interest added on. So being shit out of luck and jolly well F… well you get the idea, he comes up with the ultimate idea; if he can’t quite or convince the boss to release him of his contract, then maybe he can get himself fired by generating enough complaints into the station regarding the show he runs will be enough grounds to have him released of his contract. This of course leads to him changing his show “The Morning Dish” into “The Morning Bitch” (Yeah you read that last sentence right) and the end result is a slow of edgy humor that some might consider Taboo, but it works very well in this case.

While the film seriously lacks in run time (Sorry folks but it‘s a sort and only runs about 20-something minutes) it makes up for it with very acceptable acting and a slip of the tough sense of humor. This is of course all due to the talented writing by Allison Lane and Chris Ritter. The plot, though short due to run time, is very entertaining and relatable, but the real gem lies in the hilarious dialogue the film shovels out at you, and while the short doesn’t exactly serve as a prequel per se, it does set the viewer up for the source material that is also equally entertaining, as proof of this I had not seen any bit of “The Morning Bitch“ prior to viewing WTFU, but after viewing the short, I curiously enough decided to check out the webisodes which are available online for free and my conclusion is that though the film doesn’t feel like a full blown prequel, it does however, pay homage to the original source material and set’s the viewer up for the loads of shorts that await them online. WTFU may have its flaws, but it’s creativity and raunchy humor will have viewers laughing constantly at some of the most outrageous and edgy moments.

As for the acting: The acting was great, Dan Brennan as always did a fantastic job in his performance, he brought a real charismatic feel to the role that makes it incredibly hard to not like him, from the first frame, you’re already rooting for him. She can deny it all she wants, but it seems painfully obvious that Allison Lane is in fact the writer of this film seeing that her character had many of the best lines in the film, including some of the most memorable jokes I might add, one line in particular takes place in a coffee shop where she tells Grayson (Brennan) that her “Closest friends call me sugar t**s” her talented performance as Patty Foster was unbelievably funny and sometimes outrageous, and add that with her co-star Wade Foster as Hudson Lane and you good sir, have a charismatic duo who’s humor stand out great alone but is amplified tenfold when together on camera [Interesting fact: If you noticed, the last name to Lane‘s character is Foster, and Foster‘s character is Lane, which are the opposites of their real names vice versa]. Ed Cryer did a fine job as Sheamus Goldenblatt. Whats fascinating about Cryer, is that he has a natural presence about him that if comforting and brings a sense of wisdom to the character. Allison Mosier did very well in her supporting role as Shelly Tibbets, also in the supporting role that did extremely well is Jack Reiling who seemed to be the butt of a few sexual jokes in the film and as well as Chris Douros, Douros is no stranger to this film group as he has acted alongside both Brennan and Lane in various other projects which also includes “The Video Guys” and “Maggie Marvel”.

Final Say: WTFU was a highly enjoyable short and while the disappointing fact that it goes by way to quickly looms over it like fog over the surf of a lake, one could argue that it deserves a follow up or even dare I say, a full length adaptation to spring out of it someday. Either way it does execute its prime directive quite nicely, I won’t say it’s a masterpiece that rivals all other comedic short films out there, but it was no doubt a blast of a time to view and I recommend checking it out for what it is.

Clive Barker Slams Hellraiser: Revelations!

noreply@blogger.com (Clifford Kiyabu) — Tue, 23 Aug 2011 09:54:00 +0000

Normally I’m against studios’ doing remakes, re-imaginings and reboots to some of the horror genre‘s iconic slashers (With a few exceptions of course). But there comes a time in a franchise’s run where you’ve got to admit to yourself that it has run it’s course and is in dire need for a restart. Case in point; the Hellraiser franchise, which if you were alive during the 80s or 90’s then there’s no doubt that you’ve probably heard of Pinhead and his gang of Goth attire wearing Cenobites! After the first three films the franchise began to go down hill, though the fanboys will argue that it was after the second film since the third film lacked the same spirit as the previous two.

But anyway, you’re probably asking yourself what does this have to do with Clive Barker? Other then the fact he‘s the creator of the series of course. The film company Dimension Extreme whom is the current holder of the franchise is distributing a new edition to the Hell series’ called HELLRAISER: REVELATIONS, which is being heavily criticized by fans and critics alike for being produced on a ultra low budget and not having veteran actor Doug Bradley attached as the iconic S&M Demon Pinhead to say the least. But now adding fuel to the fire is Clive Barker weighing in by publicly voicing his own opinion about the new sequel via Twitter. This is what Barker had to say: “Hello, my friends. I want to put on record that the flick out there using the word Hellraiser IS NO FUCKIN' CHILD OF MINE! I have NOTHING to do with the fuckin' thing. If they claim its from the mind of Clive Barker, it's a lie. It's not even from my butt-hole.”

Wowzers! So it’s not even from his own a** huh? Now that is what I call some harsh words folks, then again I wouldn’t blame him for being so angry about what the film studios’ did to his pride and joy over the years, especially after seeing that some of it was outright blasphemy to the lore. But if you’d like to take a gander at what ticked him off so badly then take a look for yourself at the video below:

I don’t like to Judge a film before I’ve seen it in it’s entirety, but damn that looks painfully awful! The latest sequel is scheduled to be realest early September via VOD and hit DVD and Blu-Ray on October 18th. Meanwhile, there isn’t much news on when exactly production for the remake will actually begin, but the film is slated for a 2013 release with Barker attached as producer and will be supervising the production.

Tidbit: So do you think the remake has a shot at returning the franchise to it’s former glory?

Exclusive: Brand New Stills and Teaser Trailer of Indie Dark Drama WHAT THEY SAY

noreply@blogger.com (Clifford Kiyabu) — Sun, 21 Aug 2011 01:04:00 +0000

It’s been an awful long while since we’ve last posted anything regarding the dark drama “What They Say” on here, and I know for a fact there are some of you out there that are itching for some indie news. Especially one as gory as this project, so wait no further my gory maniacs because not only do I have word on the outlook of the project’s current statues (Yeah, I’ve got a man on the inside;)), but also some brand spanking new stills as well as a brand new trailer that just screams Yeah baby, yeah!

Alright now, on to business shall we? I’ve got an update on the current status of What They Say, and the word is it wrapped production in the end of May after filming over the previous month. Post-production is well underway, with a first edit and new trailer completed. Screenwriter, Kelsey Zukowski, says, “It was really amazing seeing Heather’s original vision and the script I had created come to life before me on set. With the extremely talented and dedicated group of individuals behind the film and the dark, disquieting, and phantasmagorical nature that emerged, I have the up most faith that What They Say will be just as powerful as we imagined it could be”. The film is set to premiere at the Chicago Horror Film Festival in September, which Dorff will be hosting. From there it will continue a 6 month festival run before it’s DVD release.

For those of you who’s stumbling across news of this project for the first time here at TCWReviews, What They Say is based on a short story written by first-time producer and star of the film, Heather Dorff. Dorff Says “There is no true way to verbalize what this project means to me. This has been a tough, scary, and draining process, but it was very much worth it. The end result will prove just how much the entire cast and crew have put into this film.”

Synapses: They thought she had the perfect life; wealthy and privileged, an honor student with her whole life mapped out. What they didn’t know was what lied inside of her; pain and anguish; tearing at her until there was nothing left. Lost and alone, the young women (Heather Dorff), finds solace in the form of a glistening blade, splitting her skin deeply. Her obnoxious sister (Kelsey Zukowski) and her self-indulgent mother (Kitsie Duncan) are completely oblivious to her inner-turmoil. She has long since become numb to the world around her, getting that sensual release as the razor cuts deeper, watching the blood drip is all that matters. As soon as the last drop falls, the calm is stripped away from her with it. How far will she go to silence the hunger that now consumes her? Will she be able to regain control of her life, body, and sanity?

Evil lies within. How long will it stay there?

What They Say is Directed by Justin R. Romine (Afraid of Sunrise), And is written by and stars up and coming actress Heather Dorff (Original Story by) and was adapted into a screenplay by TCWReviews’ columnist and resident film critic, Kelsey Zukowski, and will also star a supporting cast which includes: Kitsie Duncan, Tina Renee Grace, Jolene Aldus, and Tyler Klunick.

Indiegogo: http://www.indiegogo.com/What-They-Say-Post-Production-Campaign

IMDB: http://www.imdb.com/title/tt1948213/

Facebook: http://www.facebook.com/#!/whattheysay

Website: WhatTheySayFilm.Com and FatheadFilms.net

Side Note: Having known both Heather Dorff and Kelsey Zukowski, if there is even an ounce of the incredible talent that is Heather and Kelsey put into this film, then it will no doubt be a must see as either have proven to be a true class act to the independent genre.

Boondock Saints’ Troy Duffy Goes OFF THE BOULEVARD in New Documentary!

noreply@blogger.com (Clifford Kiyabu) — Tue, 16 Aug 2011 09:59:00 +0000

Attention! Calling all Boondock Saints and Boondock Betties! There’s big news regarding Director Troy Duff coming down the wire! First and foremost ,I should clarify with you that it has nothing to do with a Boondock Saints sequel… still here? Alrighty then, on to business shell we.

While this might not be the Troy Duff news you’ve eagerly been awaiting, it’s still interesting news about the filmmaker that should interest a lot of his loyal fans, a new documentary produced by the man himself called “Off The Boulevard” a documentary that is said to contain an inside look into the struggle that is the entertainment business and give viewers a newfound respect for the heart and effort put into making the media we’ve come to love and respect over the years.

Los Angeles - Troy Duffy (Creator of The Boondock Saints franchise) announced the pre-sale availability for the launch of a documentary feature film, “Off The Boulevard,” he executive produced in partnership with Santo Films.

“It’s an interesting and educational behind-the-scenes look at the struggles fellow independent artists go through in pursuit of their dreams,” says Executive Producer Troy Duffy. “It gives us an inside look at the tough lives of some up-and-coming independent artists. As we watch them fight their way through the industries of music and film, we glean words of wisdom from successful veterans of the entertainment business.”

Off The Boulevard is a story of art and heart and the dedication it takes to achieve your dreams. It is an entertaining and informative documentary feature film about seven artists: two musicians (Nick Nicholson, Keith Jackson), two filmmakers (Troy Duffy, Jeff Santo), two actors (David Della Rocco, Sanel Budimlic), and one comedian (Bob Rubin), whose friendships are created through struggle and perseverance.
The film features industry insights from well-knowns such as: Peter Fonda (Easy Rider), Joe Mantegna (Criminal Minds), Gilby Clarke (Guns N' Roses), Sonny Barger (Hell's Angels), Dan Haggerty (Grizzly Adams), and Eddie Vedder (Pearl Jam).

“Off The Boulevards follows seven artists on different paths but with the same goal- to fulfill their dreams,“ says Jeff Santo, Director. “This film transcends the world of entertainment and my hope is it will inspire all who strive to pave their own road.” Ain't It Cool News claims it’s "Phenomenal in every sense of the word. 4 stars." Detroit Metro Times writes it’s "Essential viewing for anyone getting ready to go up against a giant."

The documentary will also feature industry insights from Peter Fonda (Easy Rider), Joe Mantegna (Criminal Minds), Gilby Clarke (Guns N' Roses), Sonny Barger (Hell's Angels), Dan Haggerty (Grizzly Adams), and Eddie Vedder (Pearl Jam).

Available now for pre-order exclusively at: http://www.santofilms.com/ and http://www.boondocksaints.com/ at an introductory rate of $14.99. (Autographed copies available for an additional fee.) (Pre-orders at this introductory rate are available through Sept. 7th) DVD begins shipping Sept. 7th, 2011.

Viewers can look forward to several intriguing bonus clips featuring highlights from the film such as celebrity interviews and Troy Duffy rehearsing with Boondock Saints II cast members.

Side Note: Interesting fact, this documentary is due out on September 7th which also just so happens to be a very special day for yours truly, awesome huh?

Critic Vs. Critic: Harry Potter and The Deathly Hallows: Part I & II (2010 & 2011) [2/2]

noreply@blogger.com (Clifford Kiyabu) — Tue, 16 Aug 2011 06:54:00 +0000

Since the start of TCWreviews.com, we have prided ourselves with the notion that we present to our readers with critiques built on high standards with quality writing, presenting only honesty and an unbiased moral high ground. Though because we support freedom of speech among our writers, there’s always going to be a spin zone due to difference of opinions, and from time to time one or more critics here will voice their opinion in a completely different direction of the others. So in the sprite of outspoken voices we at TCWreviews would like to present a new exciting edition of Critic Vs. Critic!

Tonight TCWreviews’ Editor in Chief and Chief film critic Clifford Kiyabu sits down with fellow film critic, columnist and colleague Kelsey Zukowski. In this edition of Critic Vs. Critic: we talk about Warner Bros. Pictures’ final installment to the Harry Potter series Harry Potter and the Deathly Hallows: Part I & II Written by Steve Kloves (screenplay), and J.K. Rowling (novel). And Directed by David Yates.

Kelsey: I just got back from re-watching The Deathly Hallows Part II again. It was a different experience, but if anything it was even more interesting, knowing these characters better and going back to watch everything they did prior to the revelations. I feel like I really know them now and it’s refreshing and tremendous to hold these truths and to realize their full meaning. Upon writing this review, I decided to put in The Prisoner of Azkaban to continue that magical, uplifting high that Harry Potter gives you no matter how dark the particular film is. Once again, I have to disagree with you on the transition from the first two films to this one. It pushes the films forward, hinting at the darker material that the series is headed for, but I don’t think it is too big of a switch. It’s so quirky, colorful, and full of character, much like the first two.

Watching The Prisoner of Azkaban as I type this I can’t help but thinking how reflective it is on the Potter series as a whole, quite possibly more than any other film. Once again I am with you on Gambon not living up to Harris’ calm, patient, and wise performance as Dumbledore. It took me a film or two to get used to Gambon, but honestly now I don’t even think about the difference. In time he became Dumbledore. More importantly in Prisoner of Azkaban, Harry really defines himself, Ron and Hermione’s strengths and personalities we quickly fell in love with are even more dynamic. So much character is given to not just Hogwarts, but the entire magical world just aside of the Muggle’s world reach, with such celebration. There are darker things at work, but compared to those that follow it’s actually somewhat tame. As you said Sirius ends up being family rather than the threat he is thought to be. The death eaters are the biggest threat rather than Voldemort himself for once. Let’s not forget how the dementors are beaten and Harry is saved in the end.

Sirius Black and Severus Snape are two of the series most compelling characters. Neither are at all what they seem to be, carrying so many heavy secrets that truly define them to those that know their true nature. Thinking about their relationship to Harry, makes their characters all the more interesting. Both Gary Oldman and Alan Rickman to an astounding job of bringing such truth to their characters, all of the very complicated dynamics. The best and worst in them are equally convincing, making us question the true nature of them, and finally once it is uncovered, what we see of them is actually quite moving. Draco Malfoy is another very interesting character. Even between Prisoner of Azkaban and Deathly Hallows he has changed so much, he’s barely the same character. He used to be hateful and antagonistic, and even now feels a need to keep up appearances, but even in the last few films the difference was clear. He was wavering from what was expected. So to say his “allegiance has changed”. The growth is remarkable and Tom Felton is another who was able to show how dynamic his character is over time.

I do agree that Harry Potter is the Star Wars of our generation. Science-fiction movies aren’t my favorite films, so I never got in to the series, but I can view the similarities in the epic nature, complex relationships, and just how mind blowing it is to audiences experiencing it for the first time. Harry Potter is the same way. Every film, but especially The Deathly Hallows Part II, is such an amazing theater experience; uplifting, powerful, and really feels like something out of this world. It takes us out of our daily lives and takes us to the magical world where hope, belief, and persistence in fighting evil is the most powerful weapon; a better place than we live in. We grew up with these films, but there’s so much more there than just nostalgia.

I really liked the ending of Deathly Hallows Part II. It was the perfect ending and we were given even further closure on the series being tied up with seeing the characters 19 years later. Honestly, I think they would have been better off using actors that resembled the main cast rather than having them portray the older versions of themselves. A few of them looked like they had aged a little, but none of them were really that believable in the age they were meant to be. Ginny still looked like she was about 14, not much older than her children were supposed to be. It was easy enough to look past though and enjoy the cycle of Potters, Weasleys, and Malfoys continuing their journey through Hogwarts. It seemed fitting for it to end in a full circle from when we first joined the characters upon their acceptance to Hogwarts, their lives never being the same again once they met.

Clifford: I couldn’t agree more with you on the notion of a second viewing being inaudibly different. I myself have yet to view it for a second time, but feel as you do about it in a manner of speaking. Any fan who’s seen the final film for the first time will no doubt feel a heavy sense of sadness, a surrealism will rain over them, because knowing that once the curtain is called it will be for the last time. There simply won’t be another epic journey like it in the world of Harry Potter. As the poster reads; “It All Ends”. Which, I think only draws more anxiety within the fans as they know the end truly is nigh. And well, that’s precisely what happens, so for anyone who’s stuck by the series as loyally as you have, I and the hordes of fans have, there will no doubt be a great deal of conflicting emotions running through us that only a fan of the series could possibly comprehend. I also can understand and respect your love for the third film, Prisoner of Azkaban, because it is as you’ve said a nudge in the right direction in terms of tone. Though I still retain my stance about the film despite this debate. Though I will say this, I have only ever seen the theatrical cut to all the films, and have yet to dive into the extended cuts that were recently released, and even though I own all but the ultimate editions of The Deathly Hallows Part I and II, I’ve vowed to not watch any of them until I’ve completed my collection, so I feel obligated to retain myself from any further talk of Prisoner of Azkaban until I’ve had a better understanding with the film by watching the extended cut. So until then our little conversation on the matter will no doubt be put on hold for a later date. And who knows how I’ll feel towards that film after my viewing of it, perhaps even a slight chance of coming out with a slightly more positive view towards the film.

And yes I agree, Draco Malfoy has probably gone through the biggest transformation over the course of the films than anyone else. When we first come across him in The Sorcerer's Stone, he was a pack leader among the first year students in the house Slytherin and quickly becomes one of Harry’s adversaries. This is further developed into something much more around the time of Chamber of Secrets, it left us wanting to see these two lock heads in battle one day. But by the time Prisoner of Azkaban came around he became more of a simple bully trying to prove he was better. But over the course of the other films that followed we see him change so dramatically to someone we barely recognize. The biggest change in the character came around Half Blood Prince where he is noticeably conflicted emotionally to the point that we see it surface on his complexion, his character carried a dreary gloom on his shoulder that was clearly heavy. But this also goes for many of the other characters too, as much of them displayed a clear sign of feeling the drain the 7 years bestowed upon them, the misery, the lost of allies and friends, the tough decisions set before them and ultimately, the overbearing sense that hope was lost looming over them. And with Draco one could go a bit further and argue that this showed that he was indeed fighting a war within himself. The growth of this character is indeed quite remarkable and Tom Felton is mostly responsible for this fantastic transition through his delivery as Draco. Mark my words, Felton is going places after everything is said and done with this series.

All and all, looking back at all the Potter films as a whole, it really was the “perfect” series that came to an almost perfect end. In most cases, a film adaptation never truly lives up to the source material that it’s based off of, but in such a rare case as this, the films really did carry a unique flavor of it’s own that can’t really be compared to it’s literary counterpart. I think you and I will agree here that the book to any franchise will always rain superior over it’s inferior cinematic companion, but for the Potter series, the films and books will rain as equals in their own right as they each stand proudly on their own.

Kelsey: The “It All Ends” tagline on the poster really was completely fitting. The series is coming to an end, everything we have seen before leading to this last epic battle that will determine everything. Even more so though, Harry Potter’s life could very well be coming to an end; “the boy who lived” and the boy so many fans have lived through in experiencing every Harry Potter adventure. The magical and muggle worlds could be coming to an end if Potter’s blood is spilled. If this happens the muggle world would surely be shattered in the flick of a wand. If the magical world still existed it would exist in such a pitiful, domineering way full of slaughtering and cruelty. Either way it is all ending with this film, the only question is what kind of world we will be left remembering.

You make a good point about not only Draco but all of the characters in the series. They have all been touched by death, either nearly escaping it or losing loved ones to it. In this case it’s more than death, Voldemort and all he represents is more vindictive, torturous, and obliterating than death. We really can’t even comprehend what characters such as Neville are going through, looking in to the face of pure darkness, the coming of all hope lost, and essentially spitting in its face yet doing it with such dignity. He refuses to give up, as do nearly all of the characters. Their faith goes beyond Harry, proving this at the end. No matter what happens and no matter how grim their chances seem they have to fight against the darkness when light radiates through them.

The books are the original source material. They are what created everything we have come to love about Harry Potter. There is more detail, depth, and understanding in the books, but the films have achieved a rare feat in bringing such life to them, which is rarely done in adaptations. Films seldom get better with sequels, but Harry Potter only got deeper in to the things, more mature and dark, complex and thematically showing the line between the light and darkness. It ended up developing in to something so all-encompassing and astonishing that it’s completely beautiful and powerful. Seeing things that have been in the works for so long and only now truly understanding them makes the entire series seem much more important and awe inspiring. There are so many layers there and every single one of them is a little piece of the magic behind Harry Potter.

And that concludes this edition of Critic Vs. Critic with myself and Kelsey! While Kelsey and I generally had positive things to say about the series in general and greatly appreciated the final installment, we obviously had our differences on certain aspects of the series, most notably the third installment, Prisoner of Azkaban, which she adored as one of her favorite films in the series as where I did not. Like Yin and Yang, the past C vs. C’s have shown that we’ve rarely agreed on things in Co-reviews but still hold a respect for the other’s opinion, but on such a rare case as this one, Kelsey and myself stand almost completely in agreement that the final installment to the HP films was the best in the series and served as the perfect send off to one of the most important series’ of our generation.

However despite what you’ve read here between us it’s still up to you, the reader, to decide if you agree or disagree with any of the opinions laid out here, and if you’re still not sure then by all means I implore you to take the leap of faith and find out for yourself. I want to thanks Kelsey Zukowski for taking the time to sit down and have this little chit-chat about one of the most iconic franchises to come out of the film industry within the lat 10 years. We invite you to join Kelsey and I again as we debate it out like maniacs in the next edition of CRITIC VS. CRITIC! Coming Soon.

READ THE FIRST HALF: HERE